At the Klezmer concert tonight in Prospect Park.
Sunday, July 15, 2007
Thursday, June 14, 2007
Sunday, June 03, 2007
Friday, May 25, 2007
Tuesday, May 22, 2007
Sunday, May 20, 2007
Sunday, May 06, 2007
Saturday, May 05, 2007
Thursday, May 03, 2007
Sunday, April 22, 2007
Thursday, April 19, 2007
Monday, April 16, 2007
Sunday, April 15, 2007
Friday, March 23, 2007
Friday, March 16, 2007
Tuesday, March 13, 2007
Wednesday, March 07, 2007
Superheroine, where are you?
“Javits Center!” the M34 bus driver shouted into the microphone just before 4PM, on February 23rd, a Friday afternoon. “Join the line and enjoy yourself,” he said and his tone was unmistakably sarcastic.
The line of ticket holders, most of whom bought there tickets online in advance to forgo long lines like this one, was stretching around the block. In the cold wind, some of them were shivering in a single T-shirt, always black with some super hero printed on the front.
Inside, on three floors, the Comic Con Show, only the second of its kind in New York City, welcomed the first few hundreds of visitors on the first half day of the weekend- long program.
On Level 3, the exhibit floor, where 140 vendors offered their merchandise, a small being with green head and long green hands chased a boy about seven years old. The boy fought back with a laser sword. When another green headed being appeared, the boy ran to his father screaming “Damn, there are more of them!”
In what seemed like a paradise of commerce and consumerism, a few vendors and visitors stood out.
In the back, near the food stands, Stephanie Pui-Mun Law, a Californian in her later thirties, exhibited her watercolors called Fantasy Art. The prints varied from Tarot cards to fairies, all gentle and subtle in details. She already sold out several $10 and $15 pieces, like the Empress card. “There is a lot of cross-over between comics and what I do,” she said. “I do a lot of comic conventions all over the country, and I have family in New York, so this way, I can combine business with pleasure.”
At the Atomic Comics booth, people in bright yellow overalls with symbols of radioactivity on their chests talked to visitors in such a nice and sincere way that it was clear – they were not from New York. “We are a bit sleep deprived,” Lou Louis, said noting that her parents had fun giving her her first name. “We drove out here in three days from Phoenix, Arizona in our mobile comic van. It’s the first of its kind!”
Lou had a great time on Thursday being a tourist in New York, riding the subway, visiting China Town, Ground Zero, The Empire State Building, and of course, Midtown Comics. “It was my dream to go to that store. It’s like the biggest comic store ever!” she said.
Atomic Comics was established 20 years ago by Mike Malve who is proud to be present with his booth at every comic convention in the country and with his new mobile comic van all over Phoenix. (He also likes to mention that he knows Steven Colbert.)
Robert Wilman, an Atomic Comic employee of five years answered countless questions in front of the van. “The van can get comics to people who otherwise would not be interested,” he said. “We go to air force bases, mall parking lots and schools,” he said. “Over the summer, we go to classrooms to tell the kids about the history of gaming and comics. People love the van!”
To the left, past countless commercial booths, the Vampire Cowboys Theatre Company presented one of its shows, Living Dead in Denmark, on a flat screen TV. The play was a parody of comic characters with Asian martial arts incorporated in the scenes. This small, five years old, Manhattan based non-profit alternative theatre company was able to afford the $1800, six-foot long stand only due to a generous donor.
“It’s a great opportunity for us to be here, to get out name out here, get people know who we are” Abby Markus, the young and vibrant managing director, said. “This is our target audience and if five more people come to see our show as a result of this booth, we had a successful weekend.”
Michael Timko, an overweight forty-something bald man stoped at the booth. “This is the coolest name I’ve seen here,” he said with enthusiasm. “I just saw a similar show a few weeks ago. Let me get your card, I love this stuff!” he said to Markus who talked him into filling out a form to win free tickets.
Near the level entrance, across from a few people playing card games, Claire Nelson, of California, sat on the floor, resting.
“This is my first time in New York; my friend talked me into coming,” she said. “I got a bit tired because we’ve been running around the city all day before coming here. But to be honest, the San Diego show is much better. It’s bigger and there are more previews of movies and shows with actors and artists talking to the audience.”
In the middle of the floor, Wendy Kelman, the executive director of Geppi’s Entertainment Museum, dressed in a dark business suit, was not tired at all. Everyone, who stopped by the Museum’s showcase – and many did – received from her a poster, a brochure and even a map of Baltimore, where the museum is, with its location clearly marked. “It’s only four hours by car from here,” she said energetically.
“The older you are, the more you get out of it,” said of the museum that opened last September, Patricia Moore, sales and marketing representative. “We’ve got things that go back to the middle 1700s. You can follow the history of pop culture with us.”
Around 7 PM, at the $2 coat check, Frank Giella, waited for his coat with son James, 9. He was happy with his visit. “It’s bigger than last year and there is more comic related stuff, not just mass media. I like that,” he said. His son James liked his bag full of free give-aways. “They are trying to get kids back to collecting habits.”
Carlos Santofimia and his son Bastian, 8, from Florida, waited for the bus outside the Center. “I must tell you I was very disappointed in the organizers,” he said with a tick Spanish accent. “I bought the tickets online for both days for both of us and then I come here, wait in the line for an hour in the cold and learn that my son didn’t even need a ticket.”
A native of Madrid, Spain, this single dad did not really mind the inconvenience. “I think he has talent. He is eight now. I want him to be exposed to the best and here he can meet the artists and get some collectibles.”
“I hope it was worth it, Bastian!” Santofimia said looking at his son with a loving smile.
“Javits Center!” the M34 bus driver shouted into the microphone just before 4PM, on February 23rd, a Friday afternoon. “Join the line and enjoy yourself,” he said and his tone was unmistakably sarcastic.
The line of ticket holders, most of whom bought there tickets online in advance to forgo long lines like this one, was stretching around the block. In the cold wind, some of them were shivering in a single T-shirt, always black with some super hero printed on the front.
Inside, on three floors, the Comic Con Show, only the second of its kind in New York City, welcomed the first few hundreds of visitors on the first half day of the weekend- long program.
On Level 3, the exhibit floor, where 140 vendors offered their merchandise, a small being with green head and long green hands chased a boy about seven years old. The boy fought back with a laser sword. When another green headed being appeared, the boy ran to his father screaming “Damn, there are more of them!”
In what seemed like a paradise of commerce and consumerism, a few vendors and visitors stood out.
In the back, near the food stands, Stephanie Pui-Mun Law, a Californian in her later thirties, exhibited her watercolors called Fantasy Art. The prints varied from Tarot cards to fairies, all gentle and subtle in details. She already sold out several $10 and $15 pieces, like the Empress card. “There is a lot of cross-over between comics and what I do,” she said. “I do a lot of comic conventions all over the country, and I have family in New York, so this way, I can combine business with pleasure.”
At the Atomic Comics booth, people in bright yellow overalls with symbols of radioactivity on their chests talked to visitors in such a nice and sincere way that it was clear – they were not from New York. “We are a bit sleep deprived,” Lou Louis, said noting that her parents had fun giving her her first name. “We drove out here in three days from Phoenix, Arizona in our mobile comic van. It’s the first of its kind!”
Lou had a great time on Thursday being a tourist in New York, riding the subway, visiting China Town, Ground Zero, The Empire State Building, and of course, Midtown Comics. “It was my dream to go to that store. It’s like the biggest comic store ever!” she said.
Atomic Comics was established 20 years ago by Mike Malve who is proud to be present with his booth at every comic convention in the country and with his new mobile comic van all over Phoenix. (He also likes to mention that he knows Steven Colbert.)
Robert Wilman, an Atomic Comic employee of five years answered countless questions in front of the van. “The van can get comics to people who otherwise would not be interested,” he said. “We go to air force bases, mall parking lots and schools,” he said. “Over the summer, we go to classrooms to tell the kids about the history of gaming and comics. People love the van!”
To the left, past countless commercial booths, the Vampire Cowboys Theatre Company presented one of its shows, Living Dead in Denmark, on a flat screen TV. The play was a parody of comic characters with Asian martial arts incorporated in the scenes. This small, five years old, Manhattan based non-profit alternative theatre company was able to afford the $1800, six-foot long stand only due to a generous donor.
“It’s a great opportunity for us to be here, to get out name out here, get people know who we are” Abby Markus, the young and vibrant managing director, said. “This is our target audience and if five more people come to see our show as a result of this booth, we had a successful weekend.”
Michael Timko, an overweight forty-something bald man stoped at the booth. “This is the coolest name I’ve seen here,” he said with enthusiasm. “I just saw a similar show a few weeks ago. Let me get your card, I love this stuff!” he said to Markus who talked him into filling out a form to win free tickets.
Near the level entrance, across from a few people playing card games, Claire Nelson, of California, sat on the floor, resting.
“This is my first time in New York; my friend talked me into coming,” she said. “I got a bit tired because we’ve been running around the city all day before coming here. But to be honest, the San Diego show is much better. It’s bigger and there are more previews of movies and shows with actors and artists talking to the audience.”
In the middle of the floor, Wendy Kelman, the executive director of Geppi’s Entertainment Museum, dressed in a dark business suit, was not tired at all. Everyone, who stopped by the Museum’s showcase – and many did – received from her a poster, a brochure and even a map of Baltimore, where the museum is, with its location clearly marked. “It’s only four hours by car from here,” she said energetically.
“The older you are, the more you get out of it,” said of the museum that opened last September, Patricia Moore, sales and marketing representative. “We’ve got things that go back to the middle 1700s. You can follow the history of pop culture with us.”
Around 7 PM, at the $2 coat check, Frank Giella, waited for his coat with son James, 9. He was happy with his visit. “It’s bigger than last year and there is more comic related stuff, not just mass media. I like that,” he said. His son James liked his bag full of free give-aways. “They are trying to get kids back to collecting habits.”
Carlos Santofimia and his son Bastian, 8, from Florida, waited for the bus outside the Center. “I must tell you I was very disappointed in the organizers,” he said with a tick Spanish accent. “I bought the tickets online for both days for both of us and then I come here, wait in the line for an hour in the cold and learn that my son didn’t even need a ticket.”
A native of Madrid, Spain, this single dad did not really mind the inconvenience. “I think he has talent. He is eight now. I want him to be exposed to the best and here he can meet the artists and get some collectibles.”
“I hope it was worth it, Bastian!” Santofimia said looking at his son with a loving smile.
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Tuesday, March 06, 2007
Notes on a Scandal
Obsession is sweet, especially when surrounded by secrecy. A secret object of desire makes a lonely life more interesting, fills it with action, drama and emotions.
When the young, beautiful, insecure and somewhat confused Sheba (Cate Blanchett) arrives as a new art teacher at a high school in a London suburb, the veteran teacher Barbara (Judi Dench) senses a chance. This woman could be the new object of her desire.
As their friendship carefully evolves, Sheba learns to trust Barbara, who buys flowers, gets a new haircut, and puts makeup and fancy clothes on, when she accepts an invitation for a Sunday dinner at Sheba’s.
Not surprisingly, she is bitterly disappointed when Sheba’s husband opens the door. Barbara did not expect a husband, and even less a difficult teenage daughter and a son with Down’s Syndrome.
They are so very different, these two women. Barbara is old, grumpy, lonely, poor and secretive. Sheba is young, elegant, sexy, wealthy and puts her emotions out even when it is to her disadvantage.
Whereas Barbara is closeted even to herself, Sheba is clearly straight and has no problem having sex with a 15-year-old student. He is young, handsome and pushy – a perfect antidote to her older, gentle husband. With this, the ‘scandal’ in Notes on a Scandal begins.
Barbara, like a good stalker, soon finds out about the affair and after her initial shock and anger, she recognizes this as her chance to chain Sheba to herself. Barbara offers empathy, an advice of a mature woman and Sheba promises to end the affair. But the affair does not end and Barbara is not getting what she wants.
She tries to blackmail Sheba into physical and emotional closeness, but Sheba resists. She doesn’t like Barbara’s touch and she put her family first when Barbara comes to her crying after her cat died.
When a colleague, the math teacher Brian, asks Barbara out for lunch only to enquire about Sheba, Barbara cannot contain herself anymore and tells him ‘the secret’: “Sheba likes younger men, you know. Much younger men. You are aware of her unusually close relationship with one of the Year Eleven boys?”
Brian tells the principal, the scandal gets into the tabloids, Sheba is suspended from school, thrown out of her house and lands at Barbara’s, where she finds Barbara’s notebooks. These notebooks contain everything that happened since Sheba entered the school – Barbara’s emotions, her judgmental opinions of colleagues, Sheba’s children, Sheba herself and her betrayal.
At the end of the movie, the principal, who is aware of Barbara’s previous stalking which ended in a restraining order, forces Barbara into early retirement.
Judi Dench does a superb job playing a neglected, narcissistic school teacher, who hates herself more than she hates everybody else in the world. Dench’s posture, her clothes and hair and especially her voice, which narrates throughout the movie in the form of her journal entries, reveal all that we can know about such a pitiful human being.
In an especially telling scene, Dench lies in the bathtub, thinking about the desperation that overcomes a person who hasn’t been touched by another human being for years.
Barbara’s conscious manipulations comes from an unconscious desire to have a companion, to have someone to love who would persuade her that she is desirable and lovable. It is impossible for Barbara to face her own sexuality, to get out of the comfortable and familiar lonely world of notebook entries to the world of real humans.
Blanchett’s Sheba is pitiful in a different way. After years of unfulfilled marriage and burdensome motherhood, she is ready to act on impulse and quickly falls apart under pressure. She trusts the wrong people and instead of getting out, falls deeper into a self-made trap.
Adapted from a novel by Zoe Heller, this movie has the best acting I have seen on screen last year.
Obsession is sweet, especially when surrounded by secrecy. A secret object of desire makes a lonely life more interesting, fills it with action, drama and emotions.
When the young, beautiful, insecure and somewhat confused Sheba (Cate Blanchett) arrives as a new art teacher at a high school in a London suburb, the veteran teacher Barbara (Judi Dench) senses a chance. This woman could be the new object of her desire.
As their friendship carefully evolves, Sheba learns to trust Barbara, who buys flowers, gets a new haircut, and puts makeup and fancy clothes on, when she accepts an invitation for a Sunday dinner at Sheba’s.
Not surprisingly, she is bitterly disappointed when Sheba’s husband opens the door. Barbara did not expect a husband, and even less a difficult teenage daughter and a son with Down’s Syndrome.
They are so very different, these two women. Barbara is old, grumpy, lonely, poor and secretive. Sheba is young, elegant, sexy, wealthy and puts her emotions out even when it is to her disadvantage.
Whereas Barbara is closeted even to herself, Sheba is clearly straight and has no problem having sex with a 15-year-old student. He is young, handsome and pushy – a perfect antidote to her older, gentle husband. With this, the ‘scandal’ in Notes on a Scandal begins.
Barbara, like a good stalker, soon finds out about the affair and after her initial shock and anger, she recognizes this as her chance to chain Sheba to herself. Barbara offers empathy, an advice of a mature woman and Sheba promises to end the affair. But the affair does not end and Barbara is not getting what she wants.
She tries to blackmail Sheba into physical and emotional closeness, but Sheba resists. She doesn’t like Barbara’s touch and she put her family first when Barbara comes to her crying after her cat died.
When a colleague, the math teacher Brian, asks Barbara out for lunch only to enquire about Sheba, Barbara cannot contain herself anymore and tells him ‘the secret’: “Sheba likes younger men, you know. Much younger men. You are aware of her unusually close relationship with one of the Year Eleven boys?”
Brian tells the principal, the scandal gets into the tabloids, Sheba is suspended from school, thrown out of her house and lands at Barbara’s, where she finds Barbara’s notebooks. These notebooks contain everything that happened since Sheba entered the school – Barbara’s emotions, her judgmental opinions of colleagues, Sheba’s children, Sheba herself and her betrayal.
At the end of the movie, the principal, who is aware of Barbara’s previous stalking which ended in a restraining order, forces Barbara into early retirement.
Judi Dench does a superb job playing a neglected, narcissistic school teacher, who hates herself more than she hates everybody else in the world. Dench’s posture, her clothes and hair and especially her voice, which narrates throughout the movie in the form of her journal entries, reveal all that we can know about such a pitiful human being.
In an especially telling scene, Dench lies in the bathtub, thinking about the desperation that overcomes a person who hasn’t been touched by another human being for years.
Barbara’s conscious manipulations comes from an unconscious desire to have a companion, to have someone to love who would persuade her that she is desirable and lovable. It is impossible for Barbara to face her own sexuality, to get out of the comfortable and familiar lonely world of notebook entries to the world of real humans.
Blanchett’s Sheba is pitiful in a different way. After years of unfulfilled marriage and burdensome motherhood, she is ready to act on impulse and quickly falls apart under pressure. She trusts the wrong people and instead of getting out, falls deeper into a self-made trap.
Adapted from a novel by Zoe Heller, this movie has the best acting I have seen on screen last year.
Thursday, March 01, 2007
Sunday, February 25, 2007
Bohemian National Hall
On the Upper East Side of Manhattan, the Bohemian National Hall, a big neo-Renaissance building with its freshly renovated off-white façade and the sign Narodni Budova (National Building) proudly announces that the history of Czechs in New York continues.
The building, with its five stories, stands in the middle of the block on East 73rd Street, between Second and First Avenues. Not unlike the Czech state, which needed a full renovation after the fall of Communism, the Hall needed to be partially built anew. Modern conveniences (elevators, air conditioning, bathrooms on each floor) and safety features (wide emergency exit staircases, stronger walls) were added.
The renovation started almost six years ago and still continues, except for the third floor, which has been finished and is already used for gatherings and cultural events. Many of those in any way connected to Czechs or the former Czechoslovakia – about 26 thousand in the city - visit even now, before the end of renovations and the Hall’s official opening.
Near a typical New York parking lot and among typical New York tenement buildings, this impressive structure represents Czechness once again.
Inside, men stand on ladders, a Polish contractor works on wires.
On the third floor, the only floor already in use, two spacious rooms await their admirers. Four red leather chairs sit in front of wide windows, across from the wall covered with shelves of books in Czech and Slovak. The Czech composer Antonin Dvorak, who lived in New York, looks down from the wall. A white lime stone fire place rescued from his former home sits in between two desks.
Everything smells of paint. The carpets and the doors, all new, so far almost untouched, wait for a history of their own.
Above, on the fifth floor, the great Ball Room is in ruins. Bare red brick walls surround the huge empty space, which once saw great theatrical productions. If the floor could talk, it would tell about balls, weddings and parties with music and dance. Now there is silence. A century is soaked into this structure, with both fame and decline. It is dark inside, only the construction worker’s bright light disturbs the heaviness, as if the old building decided to close its eyes and reminisce.
“The symbols of our presence in New York are disappearing,” Halka Kaiserova, the counsel general of the Czech Republic said. “Antonin Dvorak’s house, in which he wrote his symphony ‘From The New World’, was demolished. The Bohemian Hall was on the verge of disappearing as well and our government thought it was worth saving.”
Czechs and Slovaks began their emigration to New York in the 1870s; that influx peaked at the turn of the century. By that time, about 30,000 Bohemians lived on the Upper East Side, in Little Bohemia, located between 65th and 78th Streets.
Looking for places that would preserve their history and culture, the various organizations and clubs serving Czechs and Slovaks (under the umbrella name Bohemian Benevolent Literary Association) built the National Hall, at 321-323 East 73rd Street. The building opened in 1896, the ground floor with a restaurant and bar, the upper floors offered club rooms, a theater and a ballroom.
By the 1960s, the Czechs and Slovaks had moved to other parts of New York, mostly Queens and the building was used as a theatre and private studios. Liza Minelli, among others, performed in the building. By the late 1980s, rumor of demolition spread among the expatriates.
The Czech government negotiated with the umbrella of Czech organizations, buying the building in 2001 for $1, renovating it and selling the third floor back to the NGOs for $1.
Because of some unforeseen hurdles, such as the oil leak in the basement and asbestos removal, the renovation is still in progress. By the project’s completion, planned for the fall of next year, its final cost is estimated to reach $30 million.
“Everybody loves to come here – it’s a beautiful building and I am very pleased with the work done on the third floor,” said Jan Hird Pokorny, the 95-year old architect who prepared plans for façade renovation and who came to New York in 1940.
“The guests are a mixture of new and old immigrants, Czechs and Slovaks,” Pokorny, who participates on most events in the building, added. He is happy that the building functions even while the reconstruction is still continuing.
“About half of our visitors so far were American,” Pavel Semerak, who oversees the reconstruction on behalf of the Czech government, said. “For our Christmas show, Bethlehem, we had a full house four times, including a public rehearsal. We only had 120 helmets, which limited the number of visitors we could allow at any one time.” Visitors had to use helmets because this part of the building is still under construction.
The former Czech president, Vaclav Havel, celebrated his 70th birthday here in 2006; a festival of his plays began on the same day at the Bohemian National Hall. Tom Stoppard, the British playwright of Czech origin joined Havel in December to see the story of Bethlehem, in which the building played a very important role: scenes were staged on every floor, including the roof.
“The new mission of this building is to be a showcase for the Czech Republic,” said Margita Fuchsova, director of the Bohemian National Hall. “The Czech Consulate, the Czech Center and civic organizations will occupy this space, but we envision it as a place of intersection of European and American cultures. Our National Hall lives again!”
On the Upper East Side of Manhattan, the Bohemian National Hall, a big neo-Renaissance building with its freshly renovated off-white façade and the sign Narodni Budova (National Building) proudly announces that the history of Czechs in New York continues.
The building, with its five stories, stands in the middle of the block on East 73rd Street, between Second and First Avenues. Not unlike the Czech state, which needed a full renovation after the fall of Communism, the Hall needed to be partially built anew. Modern conveniences (elevators, air conditioning, bathrooms on each floor) and safety features (wide emergency exit staircases, stronger walls) were added.
The renovation started almost six years ago and still continues, except for the third floor, which has been finished and is already used for gatherings and cultural events. Many of those in any way connected to Czechs or the former Czechoslovakia – about 26 thousand in the city - visit even now, before the end of renovations and the Hall’s official opening.
Near a typical New York parking lot and among typical New York tenement buildings, this impressive structure represents Czechness once again.
Inside, men stand on ladders, a Polish contractor works on wires.
On the third floor, the only floor already in use, two spacious rooms await their admirers. Four red leather chairs sit in front of wide windows, across from the wall covered with shelves of books in Czech and Slovak. The Czech composer Antonin Dvorak, who lived in New York, looks down from the wall. A white lime stone fire place rescued from his former home sits in between two desks.
Everything smells of paint. The carpets and the doors, all new, so far almost untouched, wait for a history of their own.
Above, on the fifth floor, the great Ball Room is in ruins. Bare red brick walls surround the huge empty space, which once saw great theatrical productions. If the floor could talk, it would tell about balls, weddings and parties with music and dance. Now there is silence. A century is soaked into this structure, with both fame and decline. It is dark inside, only the construction worker’s bright light disturbs the heaviness, as if the old building decided to close its eyes and reminisce.
“The symbols of our presence in New York are disappearing,” Halka Kaiserova, the counsel general of the Czech Republic said. “Antonin Dvorak’s house, in which he wrote his symphony ‘From The New World’, was demolished. The Bohemian Hall was on the verge of disappearing as well and our government thought it was worth saving.”
Czechs and Slovaks began their emigration to New York in the 1870s; that influx peaked at the turn of the century. By that time, about 30,000 Bohemians lived on the Upper East Side, in Little Bohemia, located between 65th and 78th Streets.
Looking for places that would preserve their history and culture, the various organizations and clubs serving Czechs and Slovaks (under the umbrella name Bohemian Benevolent Literary Association) built the National Hall, at 321-323 East 73rd Street. The building opened in 1896, the ground floor with a restaurant and bar, the upper floors offered club rooms, a theater and a ballroom.
By the 1960s, the Czechs and Slovaks had moved to other parts of New York, mostly Queens and the building was used as a theatre and private studios. Liza Minelli, among others, performed in the building. By the late 1980s, rumor of demolition spread among the expatriates.
The Czech government negotiated with the umbrella of Czech organizations, buying the building in 2001 for $1, renovating it and selling the third floor back to the NGOs for $1.
Because of some unforeseen hurdles, such as the oil leak in the basement and asbestos removal, the renovation is still in progress. By the project’s completion, planned for the fall of next year, its final cost is estimated to reach $30 million.
“Everybody loves to come here – it’s a beautiful building and I am very pleased with the work done on the third floor,” said Jan Hird Pokorny, the 95-year old architect who prepared plans for façade renovation and who came to New York in 1940.
“The guests are a mixture of new and old immigrants, Czechs and Slovaks,” Pokorny, who participates on most events in the building, added. He is happy that the building functions even while the reconstruction is still continuing.
“About half of our visitors so far were American,” Pavel Semerak, who oversees the reconstruction on behalf of the Czech government, said. “For our Christmas show, Bethlehem, we had a full house four times, including a public rehearsal. We only had 120 helmets, which limited the number of visitors we could allow at any one time.” Visitors had to use helmets because this part of the building is still under construction.
The former Czech president, Vaclav Havel, celebrated his 70th birthday here in 2006; a festival of his plays began on the same day at the Bohemian National Hall. Tom Stoppard, the British playwright of Czech origin joined Havel in December to see the story of Bethlehem, in which the building played a very important role: scenes were staged on every floor, including the roof.
“The new mission of this building is to be a showcase for the Czech Republic,” said Margita Fuchsova, director of the Bohemian National Hall. “The Czech Consulate, the Czech Center and civic organizations will occupy this space, but we envision it as a place of intersection of European and American cultures. Our National Hall lives again!”
Saturday, January 20, 2007
Sunday, January 14, 2007
Friday, January 12, 2007
F.
I sat on a bench at the Ferihegy airport in Budapest talking to a young woman from London when I spotted him. He was pushing his way through to the front of the very long check-in line at the gate. I knew he had a business class ticket, he told me repeatedly that he only travels business, and when I saw the nice looking woman with him, I immediately thought that he got himself an older girlfriend.
Four years passed since I saw F.. He was in his late 70s then and had trouble with his lower back after a terrible skiing accident. Several operations later, he still could not sit still for a long time and had trouble walking. Now, in Budapest, he used a cane and I realized only much later, in the airplane, that the woman with him is probably his wife, who I never saw before, not even on a picture.
F. was recommended to me when I moved to New York. I wrote to him. We met on Park Avenue, close to his apartment on a weekday morning, in a small café. He sat outside, frail and skinny, rather short, as Hungarian men often are, with his white hair combed back and a cigarette trembling in his hand. He wore glasses. His profile was sharp. His nose came out of his face in an arrogant, aggressive way. This profile and the funny walk was how I recognized him instantly at the airport.
He still lives, I thought.
At first, F. was helping me make my CV look more suited for potential American employers. Later, he became a sort of a consultant in every area of life. I liked spending time with him, because he was very knowledgeable in politics and history, and all things US. Or so I thought at the time. He used to work for the CIA, spying on the Communist government, he said, and showed me documents supporting this claim. His brother was a famous inventor and the Times ran an obit on him when he died – I looked it up online; it was true.
F. was born in Budapest and went to schools there. He fled in 1956. His diploma in economics helped him get a job in a company that specialized in building industrial parks in the developing world. F. spent many years in these countries before he joined his father in New York in the 1970s. His first wife died in a car accident and he met his second in Manhattan. He got a corporate job and never missed a day of work, he said often with pride. He had enough money to retire and considered himself successful. “I write you letters of recommendation, if you want. My Park Avenue address will impress people,” he said early in our friendship.
It should have been a warning, when on our second meeting, he said: “I think you should change your name into something more American.” I didn’t pay attention at first, but later I realized that F.’ father was Jewish and F. was bothered by the fact that some might consider him a Jew too.
Now I know that not only has he been anti-Semitic, but also racist, sexist and homophobic. We walked through Washington Square Park one afternoon, when F. referred to leftist demonstrators from a few days ago as “a bunch of hooligans”. He thought blacks lazy but had respect for Asians as they were hard-working. When I explained that the red ribbon on my coat collar shows support to those with HIV/AIDS, he said I should take it off.
When we first met, Irina, F.’ girlfriend of a few months just broke up with him. She was a 35 years old Russian, who supported her family in Russia and needed a green card. “I can’t do it to my wife. I owe her so much,” F. said when I asked why he does not marry Irina. He would often dial the number of the guy Irina now lived with, and hang up, just to hear her voice.
Except when he was away, we met once a week. He treated me to a lunch and we sat somewhere and talked or he showed me something interesting in the city. In about four months into our friendship, I felt sick on the day we were supposed to meet. When I email him, canceling our meeting, he called immediately and said he would come over. I said no. He would not take no for an answer again, when I declined his invitation to the Metropolitan Opera.
In some way, F. was certain that I will be his new Irina. It did not matter that I explained very clearly at the beginning – I will never be his lover. He wanted to give me gifts, later he offered to “help me with my rent” or my tuition for a kiss or something more, but I always said no. Once he described to me how he and Irina used to make love in his son’s office, on the floor, which I took as a hint and started loosening my ties with him.
I started feeling uneasy around him. He wanted to control my life. He expected me to follow his every advice even when he was wrong. He insisted that the word “cleanliness” does not exist in English. He insisted on many things I knew were incorrect and he would never admit that he was wrong. I stopped returning his calls and after a while he stopped emailing as well.
And there we were - both on the same plane to New York not saying hello to each other. I was tempted to walk up to him and just ask how he was. He had obviously a hard time walking and his eye sight seemed worse too, but he was out and about just as well. I looked at his wife, a kind looking woman in her 70s and wondered if F. has a new, young girlfriend. I am glad I don’t know the answer, and I am glad it’s not me.
I sat on a bench at the Ferihegy airport in Budapest talking to a young woman from London when I spotted him. He was pushing his way through to the front of the very long check-in line at the gate. I knew he had a business class ticket, he told me repeatedly that he only travels business, and when I saw the nice looking woman with him, I immediately thought that he got himself an older girlfriend.
Four years passed since I saw F.. He was in his late 70s then and had trouble with his lower back after a terrible skiing accident. Several operations later, he still could not sit still for a long time and had trouble walking. Now, in Budapest, he used a cane and I realized only much later, in the airplane, that the woman with him is probably his wife, who I never saw before, not even on a picture.
F. was recommended to me when I moved to New York. I wrote to him. We met on Park Avenue, close to his apartment on a weekday morning, in a small café. He sat outside, frail and skinny, rather short, as Hungarian men often are, with his white hair combed back and a cigarette trembling in his hand. He wore glasses. His profile was sharp. His nose came out of his face in an arrogant, aggressive way. This profile and the funny walk was how I recognized him instantly at the airport.
He still lives, I thought.
At first, F. was helping me make my CV look more suited for potential American employers. Later, he became a sort of a consultant in every area of life. I liked spending time with him, because he was very knowledgeable in politics and history, and all things US. Or so I thought at the time. He used to work for the CIA, spying on the Communist government, he said, and showed me documents supporting this claim. His brother was a famous inventor and the Times ran an obit on him when he died – I looked it up online; it was true.
F. was born in Budapest and went to schools there. He fled in 1956. His diploma in economics helped him get a job in a company that specialized in building industrial parks in the developing world. F. spent many years in these countries before he joined his father in New York in the 1970s. His first wife died in a car accident and he met his second in Manhattan. He got a corporate job and never missed a day of work, he said often with pride. He had enough money to retire and considered himself successful. “I write you letters of recommendation, if you want. My Park Avenue address will impress people,” he said early in our friendship.
It should have been a warning, when on our second meeting, he said: “I think you should change your name into something more American.” I didn’t pay attention at first, but later I realized that F.’ father was Jewish and F. was bothered by the fact that some might consider him a Jew too.
Now I know that not only has he been anti-Semitic, but also racist, sexist and homophobic. We walked through Washington Square Park one afternoon, when F. referred to leftist demonstrators from a few days ago as “a bunch of hooligans”. He thought blacks lazy but had respect for Asians as they were hard-working. When I explained that the red ribbon on my coat collar shows support to those with HIV/AIDS, he said I should take it off.
When we first met, Irina, F.’ girlfriend of a few months just broke up with him. She was a 35 years old Russian, who supported her family in Russia and needed a green card. “I can’t do it to my wife. I owe her so much,” F. said when I asked why he does not marry Irina. He would often dial the number of the guy Irina now lived with, and hang up, just to hear her voice.
Except when he was away, we met once a week. He treated me to a lunch and we sat somewhere and talked or he showed me something interesting in the city. In about four months into our friendship, I felt sick on the day we were supposed to meet. When I email him, canceling our meeting, he called immediately and said he would come over. I said no. He would not take no for an answer again, when I declined his invitation to the Metropolitan Opera.
In some way, F. was certain that I will be his new Irina. It did not matter that I explained very clearly at the beginning – I will never be his lover. He wanted to give me gifts, later he offered to “help me with my rent” or my tuition for a kiss or something more, but I always said no. Once he described to me how he and Irina used to make love in his son’s office, on the floor, which I took as a hint and started loosening my ties with him.
I started feeling uneasy around him. He wanted to control my life. He expected me to follow his every advice even when he was wrong. He insisted that the word “cleanliness” does not exist in English. He insisted on many things I knew were incorrect and he would never admit that he was wrong. I stopped returning his calls and after a while he stopped emailing as well.
And there we were - both on the same plane to New York not saying hello to each other. I was tempted to walk up to him and just ask how he was. He had obviously a hard time walking and his eye sight seemed worse too, but he was out and about just as well. I looked at his wife, a kind looking woman in her 70s and wondered if F. has a new, young girlfriend. I am glad I don’t know the answer, and I am glad it’s not me.
Sunday, January 07, 2007
Kristina
It was a very small place with a few tables upstairs and only two bar tables downstairs by the counter. We liked it there very much. It was one of the first places in
Kristina was one of the regular waiters in the Club, but she was much more than just a waitress. When she was there, she was in charge not only of the kitchen and the tables, but also, it seemed, of the guests.
The restaurant opened at noon. Kristina would come two minutes before noon, change quickly in the small room downstairs into a clingy white T-Shirt, black mini skirt and black shoes. Her hair was light brown with blond highlights, wavy with lots of hairspray in it. She used makeup at all times, but not excessively. She went to the tanning salon every week, and always looked like someone who just returned from an exotic vacation, but it also made people speculate about her being Roma. Her light green eyes and her professional smile were ready for the costumers at about 12.15.
Kristina knew she was very sexy and made great advantage of it. Both men and women tippet her gladly for she made them feel special. Guests who came in the Club just for her, sat at the counter. There were three seats, at other times empty, but when Kristina was there, they were taken, sometimes by the same people, for hours. She liked to entertain them, play music for them, dance to the music when downstairs was not crowded and to flirt.
At busy nights, and weekend afternoons, there were two waiters taking care of costumers. Kristina would take the upstairs tables, so she could get away from the other waiter and the kitchen and talk to her friends. She had many friends she liked to talk to. Time was not of great concern of hers, neither were hungry costumers, who, if they came at the wrong time, waited for their orders forever. The cook, Magdika, would sometimes lose her patience, and come look for Kristina or simply shut the music and scream Kristina’s name as long as it took for her to come down. Even in this case, Kristina made sure her descending the spiral staircase was something that turned all heads. Magdika, a plump woman in her late 50s, was not very fond of Kristina. She did not approve of the loud music, of the dancing, joking and above all, flirting with guests of either gender. Magdika also resented Kristina for her big tips and her refusing to take a burned pizza to a costumer. In the kitchen, Magdika was the boss. Or so she thought.
After moving to
Many months passed until Kristina realized that she will not be able to support her boyfriend, her disabled younger brother in a special ed school and her mother in the countryside. She moved out and Peti miraculously found a job the week after.
But the relationship was over, mostly because Kristina fell in love with a young woman, Viki, who hung out with her friends at the Club. Falling for the charming waitress who looked a little like Madonna, Viki started going to the club on her own. She started sitting at the counter at lunchtime, when the place was empty, so they can talk. On weekends, she came back at midnight to go with Kristina to a gay club. A few weeks passed and Kristina moved in with Viki.
Being a young professional with a 9-5 job, Viki was quite comfortable in her life. She was out to her family, but not her colleagues, partly because she wanted to progress in her carrier. To be with woman in a relationship was new to Kristina. She had a hard time telling her ex-boyfriend, who she was still friends with and her family, but eventually, she did. She and Viki visited Kristina’s brother often, taking him out for dinner and movies, for which Viki paid. The couple seemed happy.
After a year, Kristina started complaining to her friends in the Club, “Viki is like a zombie. She comes home and sits in front of the TV all the time. She doesn’t want to go anywhere.” Viki started complaining to her friends, “Kristina always wants to go to dance or to dinner or to visit her mother, or movies, but has no money to do all these things. She expects me to pay for everything. I am tired of it!”
There were scenes at the Club. Viki was jealous, Kristina was even more flirtatious. They broke up in the afternoon and got back together by closing time. Due to their schedules, they were hardly ever home at the same time, so their love life happened in the Club. Tears, begging, screaming, dramatic leaving of Viki with Kristina running after her, neglecting her costumers; or Viki coming back the next day with a huge bouquet of flowers – this was our favorite soap opera. It went on for weeks, until one day, Viki did not come, did not call and Kristina did not smile. Viki stopped coming altogether and we, the audience, had to go back to our own pity lives. Until, Kristina’s green eyes fell on another costumer….
Saturday, January 06, 2007
Thursday, January 04, 2007
Friday, December 22, 2006
Thursday, December 21, 2006
Monday, December 18, 2006
Monday, December 11, 2006
Monday, November 20, 2006
Joe’s Shoe Repair Shop
You may just pass by it and never notice that it’s there, unless the “Joes Shoe Repair from Union St/7th Ave” sing is placed on the sidewalk. But the wooden sign, black and red letters on a white board, is so old and weathered that you might easily miss it.
Next to an upscale French restaurant, across the street from a Natural Market on the busily gentrifying 5th Avenue in Park Slope, Joe’s store is like something somebody forgot here from the olden days. The store window’s glass is dirty. The window itself is full of randomly tossed shoes and leather coats. Two signs made on a white paper with three different color crayons are glued on glass: “October 13 2006, Soon we will be closed for renovation. Please pick up shoes promptly.” And: “We will not be held responsible for shoes left after December 22 2006. You must pick up any shoes left over 30 days!” Two plants are hanging from the ceiling, taking over the upper part of the window.
“I like to take it easy. It’s too busy here,” Joe said inside the miniscule store, where, if he wanted to spread his arms, he would almost reach wall-to-wall. But the walls are not visible, because they are covered with shelves and the shelves have mountains of shoes, sneakers, boots and sandals on them. Old sanding machines remind the guest that there is actually work taking place here. Dust covers everything. Its height determines how long nobody touched an object. A narrow path is kept free on the floor for Joe to walk around. The distinctive smell is of old leather.
The L-shaped counter right behind the door holds an ancient metal cash machine, the kind where a $ sign and a number jump up when a key is stricken. It does not give a receipt. Next is a small space on which customers can put the shoes-to-be-repaired. Around the corner is an area blocked by a white plaster panel behind which Joe works.
Across from the counter, a radiator heats up the room quickly, and above it, the wall is covered with souvenirs: A big, framed picture of Jesus Christ. In the corners of the frame is a picture of Joe’s two grandchildren, a girl and a boy; a picture of St. Giovanni; and a picture of Joe on his son’s motorbike. Next is a big wooden frame with a picture of a town in Sicily. Below is a picture of Joe with a group of kids in front of his store.
“It was about eight or ten years ago,” Joe said with a wide gesture of his left hand, while his right was holding a black leather boot. “They wanted to see what I am doing,” Joe said, obviously unimpressed.
Joe is one of the last of his kind. The cobblers, the picture framers, small appliance repair places, barbers, print shops and other one person neighborhood business are leaving the area and are being replaced by restaurants, French pastry shops, fancy coffee shops and upscale clothing stores. In the Park Slope area, Joe and another shoe repair store run by an Asian couple are the last two left.
A man in his 60s, Joe is short, with all white hair and a flirtatious smile. He moved to New York as a young man from Italy and never learned English well.
“I came and did this and that and then someone called me to help with shoe repairs. I did a little bit at the beginning. Then more. And then I took over the store. This was on 7th Avenue. Later, one guy bought half the block and started renovating. When my lease was up, he wanted $1,200 a month and offered me a 3 year lease. This was 18 years ago. I paid $500 before. So I moved here. This was cheap” Joe said while nailing a new heel on a black boot.
A store front rental on 7th Avenue nowadays goes for around $3000. No small business can survive with a rent this high.
5th Avenue started changing about 5 years ago, when many new restaurants opened and received good reviews in local and city papers. The avenue got a new asphalt coat. Dozens of luxury coop and condo houses were built during the recent real estate boom and new, wealthier occupants moved in. They too needed someone to fix their shoes. Joe had no complaints about not having enough costumers.
When he was done with a repair, Joe put the shoe somewhere on a shelf. Some of the shoes had little pink slips attached to them, but he did not put the shoes in any particular order.
A woman in her 40s came in. She had a pink slip. “This is my third time here,” she whispered to me while Joe was looking for her shoes. “He can’t remember anything. I left three pairs here and he couldn’t find them.”
Together, Joe and the woman finally located all three pairs and Joe added up on the old cash machine that she owed him $30. “You are lucky I don’t charge you for the times I came here in vain,” she said to him. “$30 even,” he replied and did not seem to notice that the woman was annoyed.
“They will now renovate this building,” Joe said after the woman left. “If they want a lot more money for rent, I will not take it.”
“I don’t know what I will do. I will retire,” he added. His sons don’t want to take over the business. One of them is a police officer and the other has a college degree. Once his nephew wanted to learn the trade and maybe take over the business, but Joe was the one discouraging him.
“I said, ‘Go do something better. There is no big money in this business. It’s lots of work. Many hours,” Joe explained. “If I have to close, I close. I don’t care. But I can’t stay home. What will I do?” he asked with a mischievous smile.
You may just pass by it and never notice that it’s there, unless the “Joes Shoe Repair from Union St/7th Ave” sing is placed on the sidewalk. But the wooden sign, black and red letters on a white board, is so old and weathered that you might easily miss it.
Next to an upscale French restaurant, across the street from a Natural Market on the busily gentrifying 5th Avenue in Park Slope, Joe’s store is like something somebody forgot here from the olden days. The store window’s glass is dirty. The window itself is full of randomly tossed shoes and leather coats. Two signs made on a white paper with three different color crayons are glued on glass: “October 13 2006, Soon we will be closed for renovation. Please pick up shoes promptly.” And: “We will not be held responsible for shoes left after December 22 2006. You must pick up any shoes left over 30 days!” Two plants are hanging from the ceiling, taking over the upper part of the window.
“I like to take it easy. It’s too busy here,” Joe said inside the miniscule store, where, if he wanted to spread his arms, he would almost reach wall-to-wall. But the walls are not visible, because they are covered with shelves and the shelves have mountains of shoes, sneakers, boots and sandals on them. Old sanding machines remind the guest that there is actually work taking place here. Dust covers everything. Its height determines how long nobody touched an object. A narrow path is kept free on the floor for Joe to walk around. The distinctive smell is of old leather.
The L-shaped counter right behind the door holds an ancient metal cash machine, the kind where a $ sign and a number jump up when a key is stricken. It does not give a receipt. Next is a small space on which customers can put the shoes-to-be-repaired. Around the corner is an area blocked by a white plaster panel behind which Joe works.
Across from the counter, a radiator heats up the room quickly, and above it, the wall is covered with souvenirs: A big, framed picture of Jesus Christ. In the corners of the frame is a picture of Joe’s two grandchildren, a girl and a boy; a picture of St. Giovanni; and a picture of Joe on his son’s motorbike. Next is a big wooden frame with a picture of a town in Sicily. Below is a picture of Joe with a group of kids in front of his store.
“It was about eight or ten years ago,” Joe said with a wide gesture of his left hand, while his right was holding a black leather boot. “They wanted to see what I am doing,” Joe said, obviously unimpressed.
Joe is one of the last of his kind. The cobblers, the picture framers, small appliance repair places, barbers, print shops and other one person neighborhood business are leaving the area and are being replaced by restaurants, French pastry shops, fancy coffee shops and upscale clothing stores. In the Park Slope area, Joe and another shoe repair store run by an Asian couple are the last two left.
A man in his 60s, Joe is short, with all white hair and a flirtatious smile. He moved to New York as a young man from Italy and never learned English well.
“I came and did this and that and then someone called me to help with shoe repairs. I did a little bit at the beginning. Then more. And then I took over the store. This was on 7th Avenue. Later, one guy bought half the block and started renovating. When my lease was up, he wanted $1,200 a month and offered me a 3 year lease. This was 18 years ago. I paid $500 before. So I moved here. This was cheap” Joe said while nailing a new heel on a black boot.
A store front rental on 7th Avenue nowadays goes for around $3000. No small business can survive with a rent this high.
5th Avenue started changing about 5 years ago, when many new restaurants opened and received good reviews in local and city papers. The avenue got a new asphalt coat. Dozens of luxury coop and condo houses were built during the recent real estate boom and new, wealthier occupants moved in. They too needed someone to fix their shoes. Joe had no complaints about not having enough costumers.
When he was done with a repair, Joe put the shoe somewhere on a shelf. Some of the shoes had little pink slips attached to them, but he did not put the shoes in any particular order.
A woman in her 40s came in. She had a pink slip. “This is my third time here,” she whispered to me while Joe was looking for her shoes. “He can’t remember anything. I left three pairs here and he couldn’t find them.”
Together, Joe and the woman finally located all three pairs and Joe added up on the old cash machine that she owed him $30. “You are lucky I don’t charge you for the times I came here in vain,” she said to him. “$30 even,” he replied and did not seem to notice that the woman was annoyed.
“They will now renovate this building,” Joe said after the woman left. “If they want a lot more money for rent, I will not take it.”
“I don’t know what I will do. I will retire,” he added. His sons don’t want to take over the business. One of them is a police officer and the other has a college degree. Once his nephew wanted to learn the trade and maybe take over the business, but Joe was the one discouraging him.
“I said, ‘Go do something better. There is no big money in this business. It’s lots of work. Many hours,” Joe explained. “If I have to close, I close. I don’t care. But I can’t stay home. What will I do?” he asked with a mischievous smile.
Wednesday, November 15, 2006
Saturday, November 11, 2006
Thursday, November 09, 2006
Monday, November 06, 2006
Marcia Bodenstein, a 56 year-old entrepreneur from
Bodenstein, who grew up in an orthodox Jewish household, in which on Saturdays lights were not switched on and the kitchen was kosher, was used to synagogues where women and men were separated, and people were obliged to buy tickets for High Holy Days, feared God and were isolated. She was 15 when she discovered ham sandwiches and pizza. As an adult, she never went to her old synagogue, except with her widowed father, but kept searching for a more progressive congregation. After finding one that she liked in
At this Kol Nidre service, Bodenstein was surprised to see a woman standing on the podium as a rabbi. Moreover, the cantor was a woman too and the rabbi spoke English. The church was filled with people of all colors and socio-economic backgrounds. There were families with children, singles, straight and gay couples, lesbians, gay men, young and old. As a widow, Bodenstein felt at ease.
About 700 people came for the service that day with Bodenstein, organized by the progressive Jewish congregation in the upscale Park Slope neighborhood in
Lippmann, who was then the East Coast director of the organization MAZON – A Jewish Response to Hunger, invited ten friends for dinner to talk about a possible congregation in early 1993. The discussion continued over the following weeks and by the summer months, a once a month Sabbath dinner and a Saturday morning Torah study group were established. The congregation hired a teacher for the children the same year and for High Holy Days, Kolot welcomed 75 people.
The group started out on folding chairs in Kensington,
“I don’t believe in tickets for High Holy Days,” Rabbi Lippmann said. “When the issue comes up, and it does come up regularly as a way to raise money, I always say, ‘You can have tickets, but then you have to look for another rabbi.’ We do ask for contributions, though,” she added.
The other principle on which Kolot Chayeinu was built, is that the group eats first, and then prays. Rabbi Lippmann came up with this idea when she was, as a MAZON director, traveling and giving speeches in synagogues around the
“I joined with four other gay men and lesbians who’d been active in AIDS organizing in
For Wolfe, it was more important to be in a synagogue which welcomes all people than to be in a gay synagogue. “As a Jew, it was great to see a 70 year old woman from
Wolfe’s bar mitzvah ceremony was the first occasion when his parents met the parents of his lover of nine years, and his grandmother came to visit the home he shares with his lover.
Lisa Zbar, the 51 year old former Kolot Chayeinu President, a documentary film maker and a mother of two, grew up going to a reform synagogue, still felt left out of Judaism. She knew that she wanted a place where her husband, who is from the
When in 1995 a friend suggested Kolot, Zbar went to talk to the rabbi and immediately liked what she stood for. “I liked the idea that my children would know all kinds of adults – from single straight people to lesbian couples” she said. Even though Judaism had always spoken to her, Zbar never imagined that going to shul would mean so much to her. She wanted to be on the inside of “this Jewish thing,” she said, and wanted her children to be part of it too. Now she attends Shabbat services with her family. As the media is projecting fear and the country leans towards separatism, Zbar feels that Kolot and her home in which religious practices become cultural ones, are the right antidotes.
Kolot Chayeinu, which now has 230 due-paying members, is a progressive congregation not only because it welcomes all kinds of people, doesn’t charge for High Holy Day tickets and eats before prayer, but also because of what is stated in the group’s mission statement: doubt can be an act of faith.
“Kolot’s members have a wide range of opinions about
“A congregation like this lets people live their social agenda through their religion,” Professor Ari Goldman of Columbia School of Journalism and a former New York Times reporter covering religion, said. “It has been a Jewish tradition ever since the Enlightment to reject the constraints of the old and reinterpret them – being Jewish on ones own terms,” he added. This is especially true for those who came from a family where they were exposed to an orthodox variation of Judaism, Goldman said.
It is indeed true for Marcia Bodenstein, who, after the initial first service came back the next day to a service honoring the dead. “We all stood up and said the names of our dead. I said the name of my husband,” Bodenstein said. “Later, a man read the names of all countries that were at war. I felt that my heart was there too, not just my body. I did not look at my watch once. I felt that this is where I belong,” she added.
Sunday, November 05, 2006
Thursday, November 02, 2006
Thursday, October 26, 2006
Friday, October 20, 2006
Wednesday, September 20, 2006
Sunday, September 03, 2006
9/11 and people on the streets of Brooklyn(School assignment)
Even if they lived outside of New York City at the time, passers by on Brooklyn streets felt their lives influenced by the terrorist attacks of 9/11. The six people I interviewed on a rainy day in late August almost five years after the attacks said that the possibility of another terrorist attack was on their minds. But they still felt safe in Fort Greene, the multicultural neighborhood of charming brownstones and abundance of greenery.
“My sister picked up smoking,” said Jeremy Wooster, 19, of Canarsie, when asked about 9/11 and its influence on his life. “She was looking for my brother and me that day and couldn’t find us. She didn’t know what else to do.”
Wooster, now a Bard College student, was attending a high school at the time of the attacks just a few blocks from The World Trade Center. His school was evacuated and after four days off, he and his schoolmates were for a month sharing a high school in Brooklyn. “The Brooklyn kids hated having us there. It was a bad experience. They should have given us more time off,” Wooster said. Now working at the Jewish Heritage Museum, he still visits Ground Zero often and is not happy about what he sees. “The small businesses are all gone. The places we used to go for lunch, they are all gone.”
“Tourists coming to Ground Zero really bother me,” Wooster added.
“It’s a huge graveyard really. Thousands of people are buried there and [tourists] come to take a picture. It angers me. I think it’s creepy.”
Sunny Kim, 30, of the Lower East Side, lived and went to school near Ground Zero in 2001. After September 11, she quit her job and moved out of the city. “There were other reasons for me to leave as well,” she said, smoking a cigarette outside a Laundromat. “I have never been to the site,” Now working as a teacher, Kim said. “I have people who come visit me and they say, ‘Hey, let’s go!’ and I just say, ‘Here is a map, you go.’ I can’t. I just can’t. And I am not a very emotional person.”
Meg Forbes, a retiree of Fort Greene heard about the first plane crash on the radio and thought that it was a “bad joke”. Later, when her sister called, she looked out the window and saw the smoke coming out of the tower. “I sat in my chair and I stayed in that chair until about 6 in the evening. I called everybody I knew,” she said.
Forbes attended a jazz concert at the World Trade Center the Friday before the attacks. “I was looking at all those pretty young girls and I thought to myself, wouldn’t it be nice to be this young, work in this beautiful building and make all this money. And look at it now, it’s all gone,” she said. When asked how 9/11 influenced her life, Forbes said, “Not a day goes by that I don’t think about it. I look out the window and see the empty space where the towers used to be. You wanna know how it influenced my life? I tell you. It made me miserable!”
Despite her strong emotions, Forbes is now able to travel around Downtown Manhattan. “I take the bus and look at the construction from the window. I hear there is an exhibit there now. I decided to go see it,” she said.
The majority of people interviewed expressed that they don’t feel safer seeing police with machine guns around the city and in subway stations. “I think the money spent on manhours of all those cops standing around chatting, could be better used,” Wooster said, adding that another attack on New York City would not surprise him.
Even if they lived outside of New York City at the time, passers by on Brooklyn streets felt their lives influenced by the terrorist attacks of 9/11. The six people I interviewed on a rainy day in late August almost five years after the attacks said that the possibility of another terrorist attack was on their minds. But they still felt safe in Fort Greene, the multicultural neighborhood of charming brownstones and abundance of greenery.
“My sister picked up smoking,” said Jeremy Wooster, 19, of Canarsie, when asked about 9/11 and its influence on his life. “She was looking for my brother and me that day and couldn’t find us. She didn’t know what else to do.”
Wooster, now a Bard College student, was attending a high school at the time of the attacks just a few blocks from The World Trade Center. His school was evacuated and after four days off, he and his schoolmates were for a month sharing a high school in Brooklyn. “The Brooklyn kids hated having us there. It was a bad experience. They should have given us more time off,” Wooster said. Now working at the Jewish Heritage Museum, he still visits Ground Zero often and is not happy about what he sees. “The small businesses are all gone. The places we used to go for lunch, they are all gone.”
“Tourists coming to Ground Zero really bother me,” Wooster added.
“It’s a huge graveyard really. Thousands of people are buried there and [tourists] come to take a picture. It angers me. I think it’s creepy.”
Sunny Kim, 30, of the Lower East Side, lived and went to school near Ground Zero in 2001. After September 11, she quit her job and moved out of the city. “There were other reasons for me to leave as well,” she said, smoking a cigarette outside a Laundromat. “I have never been to the site,” Now working as a teacher, Kim said. “I have people who come visit me and they say, ‘Hey, let’s go!’ and I just say, ‘Here is a map, you go.’ I can’t. I just can’t. And I am not a very emotional person.”
Meg Forbes, a retiree of Fort Greene heard about the first plane crash on the radio and thought that it was a “bad joke”. Later, when her sister called, she looked out the window and saw the smoke coming out of the tower. “I sat in my chair and I stayed in that chair until about 6 in the evening. I called everybody I knew,” she said.
Forbes attended a jazz concert at the World Trade Center the Friday before the attacks. “I was looking at all those pretty young girls and I thought to myself, wouldn’t it be nice to be this young, work in this beautiful building and make all this money. And look at it now, it’s all gone,” she said. When asked how 9/11 influenced her life, Forbes said, “Not a day goes by that I don’t think about it. I look out the window and see the empty space where the towers used to be. You wanna know how it influenced my life? I tell you. It made me miserable!”
Despite her strong emotions, Forbes is now able to travel around Downtown Manhattan. “I take the bus and look at the construction from the window. I hear there is an exhibit there now. I decided to go see it,” she said.
The majority of people interviewed expressed that they don’t feel safer seeing police with machine guns around the city and in subway stations. “I think the money spent on manhours of all those cops standing around chatting, could be better used,” Wooster said, adding that another attack on New York City would not surprise him.
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